Janis Polar (*1993) is a Basel-based visual artist, filmmaker and cultural researcher. He works on epistemological, ecological and speculative questions—crossing intersections of natural science, media technology, (colonial) history and visual culture. His projects engage in geographies rendered as ‹last frontiers of raw nature›, and their (potential) transformation into landscapes of power, extraction or attraction.

Working across different photographic and filmic techniques, image archives, and found technical objects, he combines (arte)facts and (hi)stories in experimental and (post)documentary films, installations and performances. A practice exploring tensions between human and non-human, natural and human archives, landscape and body, fact and fiction, knowledge and language. Throughout his artistic process, he often collaborates with sound artists and scientists (e.g. ETH Zurich, Geomar, NSF, BGR, University of Basel).   

Janis Polar has received various grants in Switzerland (e.g. from Pro Helvetia – Swiss Arts Council, Basel Cultural Department, Swiss Polar Institute) and abroad (Tartu 2024, Fieldexplorer, Beijing Art Technology Biennale). His works have been exhibited and performed in Switzerland, Germany, the USA, Estonia or China. He recently presented his first institutional solo exhibition at Photoforum Pasquart (Bienne, CH).

He graduated with distinctions in Cultural Analysis, Film and Literature Studies (University of Zurich) and worked in curation/art mediation for Fotomuseum Winterthur, Int. Kurzfilmtage Winterthur, Migros Cultural Percentage. 

forensic architecture